Treasure Planet offers the daring concept of combining worlds. It launches Robert Louis Stevenson classic novel into space, forces traditional animation with computer animation and offers up the struggle of being a kid and a man. Not all of these combinations work to the movie’s benefit. Being one of the costliest movies of all time sentences any film to a life of shame, and yet, even for all of its flaws, Treasure Planet is a far better result than its box-office figures. Lees verder “Treasure Planet (2002)”
Lilo & Stitch easily had one of the most memorable marketing strategies of all Disney movies. The character of Stitch clawed its way through classical Disney moments, thereby subverting the outside pressure on the creators to churn out exactly such fair. Despite its obvious task of creating a more modern, Shrek-like protagonist, Lilo & Stitch was produced far away from the corporate restraints that wanted more “boy movies” and more comedy. That shows. No marketing can hide the fact that Lilo & Stitch, is indeed another classic Disney feature. With a heart the size of a young Hawaiian girl, it’s also unique in its kind. Lees verder “Lilo & Stitch (2002)”
Atlantis: The Lost Empire is one of the hidden treasures in the Disney Classics series. Directed by Gary Trousdale and Kirk Wise, the movie certainly is a diversion from their previous masterpieces like Beauty and the Beast. A definite template of the “aimed at boys” strategy of the Animation Studios, Atlantis mainly thrives in its beauty, action and imaginative story. In retrospective, it doesn’t just hold up well, it even outperforms the same story that frameworked the top grossing movie of all time.
Lees verder “Atlantis: The Lost Empire (2001)”
Fox’s first attempt at an animated musical event succeeds surprisingly. Even today often mistaken as a Disney film, Anastasia definitely borrows elements from the reigning traditional animation studio. Because it does so deftly and purposefully it’s easy to forgive. Loosely based on Anatole Litvak’s 1956 film of the same name, Anastasia combines the intriguing premise shrouded in mystery, with a captivating road-trip that offers heart, music and most of all, an endearing love story.
It’s a remarkable occurrence when the prominent promotional image of the film happens to be the principal opening shot. So when Ceasar’s distinguished grimace, with white and red warrior paint, kicks off the film it’s apparent that we might just get significantly more than the marketingcampaign has shown us. Indeed, the sequel to a prequel of a nearly fifty year old franchise, is without a doubt the summer’s best blockbuster for its elaborate telling of a rather small story. Much like its protagonist, rendered from the computer, there’s a lot more soul, meaning and amusement behind the apocalyptic façade than anticipated. However, by the time the screen turns black the movie hasn’t entirely wiped the taste of a Hollywood franchise installment away. Lees verder “Dawn of the Planet of the Apes (2014)”
In mei 2007 loopt een kleine blondine in een roze jack de straat op terwijl het regent. Albert Hammonds It Never Rains in Southern California draait op de achtergrond. Het grimmige contrast is tekenend in dit laatste shot van de onpopulaire tienerdetective Veronica Mars. De titulaire heldin heeft ongekende schade toegebracht aan haar omgeving dankzij haar instinct om de waarheid naar boven te halen. Juist … Lees verder Veronica Mars (2014)
Films don’t often generate the kind of unequivocal, universal appreciation the way The Lion King has. Much more than a simple animated feature the movie defines a generation, through nostalgic songs, gorgeous backdrop and an epic coming of age story. Lees verder “The Lion King (1994)”