De NPO begint een kwalitatief onderzoek naar de teleurstellende kijkcijfers van BNN’s meest recente serie StartUp, zo bericht de Volkskrant op 15 januari. De serie, gericht op jongeren, is dagelijks te zien op het oude tijdsslot van De Wereld Draait Door. Met gemiddeld 65.000 kijkers is de serie over jonge ondernemers niet het success dat de omroep hoopte. Hoe kan dit? Om de onderzoekers een handje te helpen doe ik een hoogst subjectieve duit in het zakje.
Filmmakers are generally making films for the sake of art. Sure, there’s the whole putting bread on the table part, but most of the people on the floor working on a movie put their heart and soul into it. For a considerable part of the audiences, films are art too. There’s something quite unique about pictures capturing an essence unattainable through other platforms. But for the most part, people go to the movies to be entertained. There’s not always a need for relevant social criticism or revealing subjects. One does not exclude the other, art and entertainment can perfectly blend together. Unfortunately, not too often are movies that solely aim for entertainment considered to be ‘great films’ or even ‘good’ for that matter. There’s a taboo on praising purely entertaining films for their value. Somehow blockbusters that aim for the masses simply by focusing on spectacle or comedy, are easily taken for granted. Which is ridiculous, especially when it comes to one of the smartest, fast-paced and deviously entertaining films of the all time: ‘Pirates of the Caribbean: Curse of the Black Pearl’.
‘Frozen’ is a terrific movie that’s highly enjoyable through character, song and humor What it is, is just as impressive as what is has accomplished on a larger scale since its Thanksgiving debut. From box-office records to powerful girls and entertaining boys, ‘Frozen’ is already a new kind of Disney classic.
Minor spoilers after the jump.
Side note: There is a reasonable argument to be made that any episode in a series has individual value that might not coincide with the bigger picture. Surely, Peter Jackson’s adaptations of J.R.R Tolkien’s famous fantasy novels each have their own merit. But shot simultaneously, overlapping stories that are separated in the books and a decade of being viewed in marathons or sequenced airing, the three films are now best reviewed as one. Which is why this review focuses on the movies, though credit to Tolkien, where appropriate, is given.
Packing eleven hours of film, the extended editions of ‘The Lord of the Rings’ are long. Really long. almost painstakingly long. The story of Frodo and the Ring is a grand one, set in an extensive en elaborately described fantasy world. The details of Middle-Earth earn a careful, considerate treatment such as this one, but solely due to the effort Tolkien and Jackson put into its universe. Storywise, in a day and age when consumption is decisively quick, Frodo’s quest is too simple to take eleven hours. Continue reading
There are few films that transcend beyond art, scope and financial success. They’re set free into the world and quickly stop being the work of their creators. They fall into the lap of the audience that embraces them like they do a dear pet. They become a part of their lives and remain that way forever because they defy time or pop cultural skepticism. They’re classics. True genre defining films whose few flaws are forgiven for the entertainment, and consequently sentiment, they bring. ‘Beauty and the Beast’ for its few flaws, is a classic. It only just became an adolescent, with the fine age of twenty-one, but much more like a person this masterpiece, that confirmed Disney’s return to the throne of animation, is like a rose that never ages. Fresh, romantic and magical. Continue reading
As one of the most important films in animated history, ‘The Little Mermaid’ has some weight to carry as the years progress. The film that rejuvenated the Disney brand and ringed in a new era of animation certainly should hold up as well as some of the other classics. It both does and doesn’t. Ariel and her friends are still a prime example of the musical/animation hybrid that now defines Disney. However, in a increasingly more savvy, post-Shrek and Pixar world, the tale of the red headed beauty might be a little too sweet.
On one of my walls in my college dorm room there’s a huge poster of a surfer walking on a beach at sunset. It says ‘It’s nothing like where you live. And nothing like what you imagine.’ The air of exclusivity and subtle teasing that surrounds the poster mixed with a gorgeous backdrop is exactly what made me so invested in the show it advertises. Ten years have come and gone since ‘The O.C.’ premiered on FOX in the autumn of 2003 and to me it’s as brilliant, influential and beautiful now as it ever was.